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There's something amusing in the way Sun Araw starts his latest album with spooky yet also slightly goofy keyboard noodling rather than droning blasts or contemplative zone. Then again, if the record's titular theme is being followed, the former rulers of a good chunk of Europe, Asia, and Africa did like to party, and when the bass suddenly cuts in on "Lucretius" and begins to throb in a rhythm, it's like the underscoring of an "eat, drink and be merry" sentiment with the "for tomorrow you die" counterpoint. One of Sun Araw's longest efforts, the double-album equivalent Ancient Romans has tracks mostly hitting the ten-or-so-minute mark, Cameron Stallone out for extensive mind expansiveness in his own particular way. Throughout the album the sense is of rough experimentation, a kind of direct curiosity in the collision of sampled loops, echoed vocals, bursting bass, and random moments. Stallone's echoed vocals, however much a stylistic commonality in some corners, act as further random hooks, a slightly stupefied but never incoherent series of reactions.
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